This research project considers the study of recent developments on artistic research in Greece as an occasion for an important theoretical and methodological contribution in this newly established field. It is timely in doing so, both given that artistic research, its history and prospects are of great interest internationally, and in view of the fact that, even though artistic research has become essential in cultural production of value worldwide, it is still not well documented as a social phenomenon and remains under-theorized, in need of specific case studies.

The term artistic research, referring to activities in the processes of art production that could qualify as “research,” is relatively recent but it has already been strongly debated. This project responds to the growing interest for artistic research, nowadays, related to current drifts in the arts, which may be understood as a confirmation of the artists’ innovative spirit that opens up new perspectives for scientists themselves or as a by-product of neoliberal antagonistic relationships in education that could restrict artistic freedom by creating a new academy.

The project focuses on the fact that since the 1990s artistic research has seen a significant development in Greece too, due to artistic initiatives drawing from social sciences and humanities in order to produce art with political overtones. This tendency has been reinforced during the current crisis when the need for art activism was clearly felt and encouraged by the international attention that contemporary Greek art production gained. Meanwhile, Greek Fine Arts Schools face the challenge of artistic research and of further updating their curriculums.